Adrenaline wrote:
How far back are we talking?
The Beach Boys - Pet Sounds and Doors - LA Woman DVD-Audio releases I have considerable differences in tone, but I think for the better, a lot of that simply might be the 5.1 24bit/96hz vs 2.0 16bit/44hz. The recent Depeche Mode and Nine Inch Nails - Pretty Hate Machine Remasters are others that I think kept best of the originals and made them better.
I've noticed it a lot but what really stood out yesterday was the difference between Paint It, Black on 12" vinyl Aftermath and digital.
boomboomboomboomboomboom boomboom
IseeareddoorandIwanttopaintitblack
nocolorsanymoreiwanthemtoturnblack
...
IwantaseeitpaintedpaintedpaintedpaintedblackIt's all rushed as hell. The vinyl had a distinctive pace that started out almost slow and ominous and built to a crescendo of despair and fury, like a cavalry charge. This thing is terrible, the Stones are just in a rush to get the damned thing over with. Not right at all. This thing is crap.
I'm wondering if the record company did this or if it's just a bad homemade encoding ? (doubt that, it takes some skill to make a subtle change like that) ... or what. But I really doubt that I could totally forget the pace of a song that I've listened to 68,000 times. And it's always sped up, never slowed down. Or it's just ... not right. Maybe it's me, but .... where's Sky ? He's the audio enthusiast here ...
You're right about the differences in tone - the first Dylan album on vinyl was his best one but when it came out on CD, it was dead, flat, crap. Terrible job by the record company. But I'm talking about pacing here. If what I'm hearing is correct, they have to be purposely speeding some of these songs up. Different problem. And awful.